Fonderia is the house of dance and art in Reggio Emilia.
- Discover the companies, the artists and the choreographers of our dance season.
- Attend the performances and the open rehearsals.
- Enjoy, purely.
- All
- 14'20''
- Alpha Grace
- Another Story
- Antitesi
- Aterballetto
- Bach Project
- BLISS
- Chiostri San Pietro 2022
- Combattimento di Tancredi e Clorinda
- Don Juan
- Dreamers
- feeling good
- Golden Days
- In/Finito
- Kepler
- La stella nascosta
- Lorca sono tutti
- Lost in
- Meridiana
- MicroDanze
- Never odd or even
- Next Stop
- Nine Bells
- Notte Morricone
- O
- Open rehearsals
- Over Dance
- Pasiphae
- Performances
- Phoenix
- Productions
- Rain Dogs
- Rhapsody in Blue
- Season
- Season 2021
- Season January - June 2024
- season january july 2025
- Season January-July 2020
- season january-may 2022
- season September-December 2021
- Season September-December 2022
- Secus
- September - December 2024 season
- Shoot me
- special events
- Special projects
- Stabat Mater
- Stagione Faenza 2018-2019
- Stagione Forlì 2018-2019
- stagione gennaio giugno 2023
- Stagione gennaio-giugno 2019
- Stagione gennaio-giugno 2024
- Stagione settembre-dicembre 2018
- Stagione settembre-dicembre 2019
- Stagione settembre-dicembre 2023
- Stanze Rooms
- Storie
- Stravaganze in sol minore
- Streaming
- Tango Glaciale Reloaded
- Tempesta
- Trans Frontieres
- Upper-East-Side
- Wolf
- Yeled
- Yeled/Shoot me
NOTTE MORRICONE
«”I, Ennio Morricone, am dead”, wrote the composer before saying goodbye. His music, on the other hand, cannot. And this is how creators and artists always leave us without leaving us, and this is how memory takes care of keeping them alive, keeping them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father, or my grandfather, I am a direct heir of his legacy, of the films that (whether masterpieces, good, mediocre, or bad) owe him an immeasurable debt.» – Marcos Morau
Notte Morricone, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau, is at the Théâtre d’Orléans to bid farewell to 2024 and welcome 2025.
Tuesday, December 31, 2024 at 8:30 PM
Wednesday, January 1, 2025 at 5:00 PM
Notte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world.
Notte Morricone takes place in the twilight of an ordinary night in the life of a creator, who alone and dazed in front of his sheets, takes notes and visualizes melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
«”I, Ennio Morricone, am dead”, wrote the composer before saying goodbye. His music, on the other hand, cannot. And this is how creators and artists always leave us without leaving us, and this is how memory takes care of keeping them alive, keeping them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father, or my grandfather, I am a direct heir of his legacy, of the films that (whether masterpieces, good, mediocre, or bad) owe him an immeasurable debt.» – Marcos Morau
Notte Morricone, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau, is at the Théâtre d’Orléans to bid farewell to 2024 and welcome 2025.
Tuesday, December 31, 2024 at 8:30 PM
Wednesday, January 1, 2025 at 5:00 PM
Notte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world.
Notte Morricone takes place in the twilight of an ordinary night in the life of a creator, who alone and dazed in front of his sheets, takes notes and visualizes melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
K (A) O
If in chat we use the laughing emoji, are we laughing with it? And if we use the one shedding copious tears? What expression do we really have? Choreographer Kenji Shinohe explores, through the body and digital technologies, how emotions are expressed through keyboard symbols. A show that sets aside words to tackle the highly relevant theme of “superficial communication” created by new technologies.
Recommended age: from 8 years old
by and with Kenji Shinohe
lighting design Cristina Fresia
Production Fondazione Sipario Toscana
Recommended age: from 8 years old | running time: 45′
At the heart of the performance are emojis, the colorful faces tasked with expressing feelings in digital communication, and the doubt that their overuse impoverishes and conceals real emotional expressions.
If in a chat we use the laughing face emoji, do we laugh with it? And if we use the one that sheds copious tears, what face do we really make? But the real question at the core of the work is: how can we recover our true feelings?
Choreographer Kenji Shinohe explores, through the body and digital technologies, the way emotions are expressed through the symbols of the keyboard. A performance that sets aside words to address the very contemporary issue of “superficial communication,” created by new technologies and especially—though not exclusively—used by younger generations.
Kenji Shinohe is a Japanese choreographer and dancer born in 1990, currently residing in Wuppertal, Germany. He started ballroom dancing in early childhood with his grandmother and represented Japan at the Junior World Ballroom Dance Championships when he was a teenager.
He studied dance philosophy and art history at the University of Japan, where he later earned a master’s degree. In 2015, he received an international exchange student scholarship at the Folkwang Universität der Künste in Essen, Germany. After graduating in the summer of 2019, he began his career as a freelance dancer and choreographer.
As a dancer, he has worked with the NEUR TANZ company (Düsseldorf), Tanztheater Erfurt (Erfurt), Carla Jordão (Cologne), Kompanie merighi | mercy (Wuppertal), Saeed Hani (Luxembourg), Dinamo Danza (Pamplona, Spain), and other international choreographers.
As a choreographer, he was awarded the first prize and the audience award “contact.energy 16” at the 5th Internationales Tanz Theater Festival 2016 in Erfurt, the Best Newcomer Solo award at the 10th Internationales Tanzfestival SoloDuo NRW in Cologne 2018, the Best Solo award and the audience award at the SzólóDuó International Dance Festival 2019 in Budapest, Hungary. In addition, he won 5 awards at TEATRI RIFLESSI in Catania, Italy in 2023. He has received international recognition for various choreographic works, both for his solos and group dances.
In his artistic work, he is interested in uniting body movements in relation to the structures of music, extending the expression of dance through metanarrative techniques. His choreographic pieces are hosted and performed in many theaters across more than 15 countries and 55 cities.
TICKETS
Single ticket: 6 euros
TICKET PURCHASE
- ONLINE: https://www.biglietteriafonderia39.it/home.aspx
- Box office at Fonderia: The box office opens one hour before the show starts (via della Costituzione 39, Reggio Emilia).
Tickets are not numbered.
CONTACT FOR RESERVATIONS
Cell and WhatsApp: 3341023554
Email: biglietteria@aterballetto.it
Aterballetto: Pite / Preljocaj / Tortelli
FND Aterballetto – rehearsals – ph. Christophe Bernard (18)
SOLO ECHO by CRYSTAL PITE | RECONCILIATIO by ANGELIN PRELJOCAJ | GLORY HALL by DIEGO TORTELLI
The National Choreographic Center / Aterballetto presents a brand-new triptych, set to add fresh and unexpected nuances to the company’s already eclectic repertoire. Solo Echo, created by the award-winning Canadian choreographer Crystal Pite, invokes winter, music, and movement to express something profound about acceptance and loss.
Reconciliatio is a delicate female duet inspired by the Book of Revelation, crafted by one of the world’s most acclaimed choreographers, Angelin Preljocaj.
A vibrant fresco of sensuality and overwhelming vitality, Glory Hall by Diego Tortelli, showcases one of Italy’s most innovative choreographers.
The triptych is a true dance concert, beginning with Brahms’ sonatas and concluding with the post-rock of the band Godspeed You! Black Emperor, interspersed with the famous notes of Beethoven’s Moonlight Sonata.
Aterballetto: Pite / Preljocaj / Tortelli
FND Aterballetto – rehearsals – ph. Christophe Bernard (18)
SOLO ECHO by CRYSTAL PITE | RECONCILIATIO by ANGELIN PRELJOCAJ | GLORY HALL by DIEGO TORTELLI
The National Choreographic Center / Aterballetto presents a brand-new triptych, set to add fresh and unexpected nuances to the company’s already eclectic repertoire. Solo Echo, created by the award-winning Canadian choreographer Crystal Pite, invokes winter, music, and movement to express something profound about acceptance and loss.
Reconciliatio is a delicate female duet inspired by the Book of Revelation, crafted by one of the world’s most acclaimed choreographers, Angelin Preljocaj.
A vibrant fresco of sensuality and overwhelming vitality, Glory Hall by Diego Tortelli, showcases one of Italy’s most innovative choreographers.
The triptych is a true dance concert, beginning with Brahms’ sonatas and concluding with the post-rock of the band Godspeed You! Black Emperor, interspersed with the famous notes of Beethoven’s Moonlight Sonata.
Aterballetto: Pite / Preljocaj / Tortelli
FND Aterballetto – rehearsals – ph. Christophe Bernard (18)
SOLO ECHO by CRYSTAL PITE | RECONCILIATIO by ANGELIN PRELJOCAJ | GLORY HALL by DIEGO TORTELLI
The National Choreographic Center / Aterballetto presents a brand-new triptych, set to add fresh and unexpected nuances to the company’s already eclectic repertoire. Solo Echo, created by the award-winning Canadian choreographer Crystal Pite, invokes winter, music, and movement to express something profound about acceptance and loss.
Reconciliatio is a delicate female duet inspired by the Book of Revelation, crafted by one of the world’s most acclaimed choreographers, Angelin Preljocaj.
A vibrant fresco of sensuality and overwhelming vitality, Glory Hall by Diego Tortelli, showcases one of Italy’s most innovative choreographers.
The triptych is a true dance concert, beginning with Brahms’ sonatas and concluding with the post-rock of the band Godspeed You! Black Emperor, interspersed with the famous notes of Beethoven’s Moonlight Sonata.
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
The Centro Coreografico Nazionale/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish creator, known for his visionary power and ability to transform musical universes, presents a unique creation intertwining the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, currently the youngest choreographer to have received the National Dance Award, the highest recognition in Spain, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nourished by cinema, photography, and literature. For his first collaboration with CCN/Aterballetto, he proposed turning to iconic compositions from the cinematic landscape of the last seventy years: those of Academy Award-winning composer Ennio Morricone.
The director states: «Classically trained and avant-garde by vocation, Morricone has always been beyond the trends of the moment. His music spans an entire century and has brought many of our great masters to life. For this evening, I want to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that, as he himself would say, my music has a life of its own, which can live far beyond the films for which it was created.»
Find out more »
