Danza in Fonderia, the CCN/Aterballetto series, hosts an exclusive preview of Sofia Nappi’s latest creation.
The Fridas is inspired by Frida Kahlo’s painting The Two Fridas and explores the complex theme of human identity through a relationship of complicity and contrast, going beyond simple dualism. Through gestures that reveal intimacy and vulnerability, challenging the conventions of masculinity, the two dancers on stage navigate emotional states and become an expressive vehicle for the countless facets contained within each individual.
After the performance, a talk with choreographer Sofia Nappi.
Choreography Sofia Nappi
in collaboration with dancers Paolo Piancastelli, Adriano Popolo Rubbio
Choreography assistant Glenda Gheller
Costume design Adriano Popolo Rubbio
Costume production Adriano Popolo Rubbio, Adelaide D’Ago
Lighting design Alessandro Caso
Music various artists
Production Komoco
Co-production Festival Danza in Rete – Teatro Comunale Città di Vicenza
With the support of Oriente/Occidente, Centro Coreografico Nazionale/Aterballetto
Project residency at the Centro di Rilevante Interesse Nazionale per la Danza Scenario Pubblico/CZD
Duration: approximately 25 minutes
The Fridas is a duet inspired by the painting The Two Fridas by Frida Kahlo. It explores the complex theme of human identity through a relationship of complicity and contrast between two dancers. Mirrored and divergent movements embody inner conflicts and harmonies, while physical expressiveness and the use of space (in the Komoco language, considered a living element capable of both uniting and dividing) represent two complementary and essential aspects of the research.
However, the relationship between the two characters on stage goes beyond simple dualism. Through gestures that reveal intimacy and vulnerability, challenging conventions of masculinity, the dancers navigate emotional states and become an expressive vehicle for the countless facets contained within each individual. The painting “explodes,” and the duet thus reflects the ambiguity and multiple personalities that also characterized Kahlo herself:
“Within me, multiple identities are hidden; I am a mélange. A mix between a Mexican and an Indigenous person, but also a Mexican and a European. I am a painter and a wife. I love both women and men […]. In my painting, I want to represent precisely this: all my ambiguity—no, not ambiguity, my many personalities, my complexity.” (From *The Secret Lover of Frida Kahlo* by Caroline Bernard).
Designed for both theatrical and unconventional or museum spaces, The Fridas can be observed from different perspectives, adding nuances to the exploration of human essence and celebrating its complexity. However, the ending invites an ironic acceptance of life’s chaos: through parodic movements, the dancers find in humor the balm to keep facing the challenges of existence.
Sofia Nappi is a choreographer and the artistic director of KOMOCO, a contemporary dance company based in Italy and active internationally, which she co-founded together with her first muses, Adriano Popolo Rubbio and Paolo Piancastelli. From the very beginning, Sofia’s early creations with KOMOCO won prestigious awards: the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021), and the 1st Prize, the Critics’ Prize, and the Production Prize at the 35th International Choreography Competition Hannover, awarded by the Tanja Liedtke Foundation and Marco Goecke (2021).
Currently, KOMOCO’s works choreographed by Sofia are presented in Italy and on international tours across Europe, as well as in Mexico, Canada, and Serbia, hosted by renowned institutions and international festivals. As an independent choreographer, Sofia also creates new works for internationally recognized dance companies and theaters, including Nederlands Dans Theater 2, Leipzig Ballet, Gauthier Dance//Dance Company Theaterhaus Stuttgart, Ballet BC, Göteborg Opera, National Theatre Mannheim, Staatsoper Hannover, and Scottish Dance Theatre.
In parallel, Sofia Nappi’s work extends to research and professional training at an international level, in close collaboration with the dancers of KOMOCO. Since 2022, she has been organizing the biannual company workshop “Komoco Intensive” in Florence, welcoming professional dancers from all over the world. Sofia graduated from the Alvin Ailey American Dance Theater in New York; her training has also been significantly influenced by her close connection with the Hofesh Shechter Dance Company and her study of Gaga, the movement language developed by renowned choreographer Ohad Naharin.

TICKETS
3 euros
PURCHASING TICKETS
- ONLINE: https://www.biglietteriafonderia39.it/home.aspx
- Fonderia Box Office: the box office opens one hour before the start of the performance (Via della Costituzione 39, Reggio Emilia).
Tickets are unnumbered.
CONTACTS FOR RESERVATIONS
Phone & WhatsApp: 3341023554