- 14'20''
- Alpha Grace
- Another Story
- Antitesi
- Aterballetto
- Bach Project
- BLISS
- Chiostri San Pietro 2022
- Combattimento di Tancredi e Clorinda
- Don Juan
- Dreamers
- feeling good
- Golden Days
- In/Finito
- Kepler
- La stella nascosta
- Lorca sono tutti
- Lost in
- Meridiana
- MicroDanze
- Never odd or even
- Next Stop
- Nine Bells
- Notte Morricone
- O
- Open rehearsals
- Over Dance
- Pasiphae
- Performances
- Phoenix
- Productions
- Rain Dogs
- Rhapsody in Blue
- Season
- Season 2021
- Season January - June 2024
- Season January-July 2020
- season january-may 2022
- season September-December 2021
- Season September-December 2022
- Secus
- September - December 2024 season
- Shoot me
- special events
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- Stabat Mater
- Stagione Faenza 2018-2019
- Stagione Forlì 2018-2019
- stagione gennaio giugno 2023
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- Stagione gennaio-giugno 2024
- Stagione settembre-dicembre 2018
- Stagione settembre-dicembre 2019
- Stagione settembre-dicembre 2023
- Stanze Rooms
- Storie
- Stravaganze in sol minore
- Streaming
- Tango Glaciale Reloaded
- Tempesta
- Trans Frontieres
- Upper-East-Side
- Wolf
- Yeled
- Yeled/Shoot me
NOTTE MORRICONE
«”I, Ennio Morricone, am dead”, wrote the composer before saying goodbye. His music, on the other hand, cannot. And this is how creators and artists always leave us without leaving us, and this is how memory takes care of keeping them alive, keeping them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father, or my grandfather, I am a direct heir of his legacy, of the films that (whether masterpieces, good, mediocre, or bad) owe him an immeasurable debt.» – Marcos Morau
Notte Morricone, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau, is at the Teatro Morlacchi di Perugia.
Saturday, February 22, 2025 at 8:45 PM
Sunday, February 23, 2025 at 5:00 PM
Notte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world.
Notte Morricone takes place in the twilight of an ordinary night in the life of a creative, who alone and dazed in front of his sheets, takes notes and visualizes melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
NOTTE MORRICONE
«”I, Ennio Morricone, am dead”, wrote the composer before saying goodbye. His music, on the other hand, cannot. And this is how creators and artists always leave us without leaving us, and this is how memory takes care of keeping them alive, keeping them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father, or my grandfather, I am a direct heir of his legacy, of the films that (whether masterpieces, good, mediocre, or bad) owe him an immeasurable debt.» – Marcos Morau
Notte Morricone, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau, is at the Teatro Morlacchi di Perugia.
Saturday, February 22, 2025 at 8:45 PM
Sunday, February 23, 2025 at 5:00 PM
Notte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world.
Notte Morricone takes place in the twilight of an ordinary night in the life of a creative, who alone and dazed in front of his sheets, takes notes and visualizes melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
NOTTE MORRICONE
«”I, Ennio Morricone, am dead”, wrote the composer before saying goodbye. His music, on the other hand, cannot. And this is how creators and artists always leave us without leaving us, and this is how memory takes care of keeping them alive, keeping them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father, or my grandfather, I am a direct heir of his legacy, of the films that (whether masterpieces, good, mediocre, or bad) owe him an immeasurable debt.» – Marcos Morau
Notte Morricone, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau, is at Teatro Municipale Valli in Reggio Emilia.
Notte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world.
Notte Morricone takes place in the twilight of an ordinary night in the life of a creative, who alone and dazed in front of his sheets, takes notes and visualizes melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
NOTTE MORRICONE
«”I, Ennio Morricone, am dead,” wrote the composer before bidding farewell. His music, on the other hand, cannot do the same. And that is how creators and artists always leave us without leaving us, and that is how memory takes care of keeping them alive, of keeping them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father, or my grandfather; I am a direct heir of his legacy, of the films that (whether masterpieces, good, mediocre, or bad) owe him an incalculable debt.» – Marcos Morau
Notte Morricone, the new creation by CCN/Aterballetto signed by the award-winning choreographer Marcos Morau, arrives at the Teatro Fraschini in Pavia.
Notte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Academy Award winner Ennio Morricone gave to the world.
Notte Morricone takes place in the twilight of an ordinary night in the life of a creator, who, alone and dazed in front of his sheets, takes notes and visualizes melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Solo Echo / An Echo, A Wave / Glory Hall
CCN/Aterballetto dances at the Teatro Regio di Parma with a brand new triptych, destined to add new and unexpected nuances to the already eclectic repertoire of the company.
The dancers of CCN/Aterballetto are the protagonists of a production by the multi-award-winning Crystal Pite, a Canadian choreographer now in the pantheon of dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo invokes winter, music, and the moving body to express something essential about acceptance and loss.
An echo, a wave by Philippe Kratz, a former Aterballetto dancer and now a choreographer sought after by the most important companies, is a duet inspired by the hypnotic view of the sea and the concept of eternity that inspires us: two people dancing always go through different states of mind, contrasting emotions, closeness, and distance.
The last choreography, Glory Hall, is the new production by Diego Tortelli, which gives the company and the audience a fresco of sensuality and overwhelming vitality.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Compiègne, France, the triptych composed of Solo Echo by Crystal Pite, Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Maubeuge, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Cholet, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Bilbao, Spain, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Bilbao, Spain, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Merignac, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
Solo Echo / Rhapsody in Blue / Shoot me
The CCN/Aterballetto dances in Nantes, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
SHOOT ME – Diego Tortelli
Shoot Me by Diego Tortelli is a frontal work that puts the dancers on stage and the audience in the auditorium in a direct exchange relationship: a game of seduction, glances, sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
